Science—here understood in the true sense of the term, namely, as a serene and self-dependent pursuit of knowledge, not as something subservient to “practical” ends—and the humanities are sisters, brought forth as they are by that movement which has rightly been called the discovery (or, in a larger historical perspective, rediscovery) of both the world and man. And as they were born and reborn together, they will also die and be resurrected together if destiny so wills. If the anthropocratic civilization of the Renaissance is headed, as it seems to be, for a “Middle Ages in reverse”—a satanocracy as opposed to the mediaeval theocracy—not only the humanities but also the natural sciences, as we know them, will disappear, and nothing will be left but what serves the dictates of the subhuman. But even this will not mean the end of humanism. Prometheus could be bound and tortured, but the fre lit by his torch could not be extinguished.
——Erwin Panofsky “The History of Art as a Humanistic Discipline
二、从上述段落出现的“science”“humanities”“civilization”
“Renassiance”“theocracy”五个术语中任选三个，分别写一段注释。（40分）
三、试论艺术史与人文精神。可以借助自己受启发较深的中西方文献，结合艺术史个案研究范例具体来谈。（70分）
要求：答题条理清晰，论证有力，观点明确，能将个人视角与所读学术文献相结合。
